RAJA DEEKSHITHAR

THE TEMPLE OF THE DANCING SHIVA

Services for Devotees

Introduction
History
Temple Doctrine
Mahatmyam
Special Features
Rituals and Festivals
Daily worship
Deekshithars, Tillai Three Thousand
Mysterious Friday Evening
Opening Hours and Puja Timings
How to reach Chidambaram
Map to the Temple
 

DEEKSHITHARS, THE TILLAI 3000

 

In ancient times the Deekshithars, the community of hereditary priests were known as Muvariyavar, or the 3000 of Tillai. The Chidambaram Mahatmyam recounts of their arrival in Tillai just as Lord Nataraja started his dance there. Thus they were the chosen guardians of the Lord’s worship and of the temple from its very conception.

Their relation to Lord Nataraja is a very intimate and powerful one, which is expressed by the legend that once the 3000 were requested by Brahma to perform a Vedic sacrifice in heaven. At their return they counted to make sure all had returned safely. But however they counted, they found only 2999. All were very upset, until a voice from the Sabha called out and announced that He Himself, Lord Nataraja, was the 3000th Deekshithar.

Although considered as among the Shiva Brahmans or Ayars, they form a completely separate group. Not only is their philosophy and temple doctrine different from other social groups and other temples, but also their way of life is very different from the society around them.

A Deekshithar has to wear his hair long, with a tonsure all around the rim. The hair is pulled to the left side and tied into a bun. This reflects their awareness of cosmology. It also expresses some aspects of the temple philosophy. They follow the teaching of Baudhayana Maharishi. Male and female energies are inseparable and both essential for the process of cosmos. The Deekshithars acknowledge their female side by wearing their hair long and in a bun, on the left side of the body, which is considered the female side.

The Chidambaram temple is unique in countless ways, but one outstanding feature is without doubt the way in which its priestly community is organized. It is possible the oldest and longest functioning democracy in the world. The community is called Podu Deekshithars, which means ‘the gathering of Deekshithars’. Every Deekshithar has one vote in the general assembly, which takes place every twenty days. The daily management is in the hand of a team of nine members, one of which will be selected to be the Secretary of the temple for one year. The duties of the Secretary of the temple are to preside over all the activities in connection with the daily management, as well as to represent the temple towards the outside world. All ritual duties in the temple are performed through a strict rotation system. Special honorary functions, like presiding over the great Chariot Festivals, or other special ritual functions are accredited by drawing a name from the list of community’s members.

Deekshithars have always been known for their scholarship, and although the fast changes of the present era put a lot of strains on the ability of the community to maintain its tradition, many are facing this challenge by combining the pursuit of an academic career with serving their Lord in the temple routine.

Although the Deekshithars are known as the 3000 of Tillai, now the community counts about a thousand members, men, women and children, of which more then three hundred are initiated priests.

There was a time when the Deekshithars did not need to depend on the devotees for their income, but nowadays they form priest-client relationships.

Thus the Deekshithars and the millions of visitors experience
His Cosmic Dance since time immemorial:

 

Kripa samudram sumukham trinetram

jatadharam Parvati vama bhagam

Sada Sivam Rudram anandarupam

Cidambaresam hridi bhavayami



O Lord, you are the ocean of mercy,

Your shining face adorned with three eyes,

With matted hair, Goddess Parvati permanently with you on your left,

You are the eternal and cosmic form of bliss,

Presiding Lord of Chidambaram, Dancing the Ananda Tandava,

You are dwelling in the heart of the devotees
 

 

 

 

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